KBR - Bimalarpan Sangeet Mahotsav

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Pen names of Great Composers of Hindustani Music

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Rare Raga And Raga Prakar Master List

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Raga Reference Project ------------------------------------------------------------------ ------------------------------------------ ------- Article#1: Raga Master List Raga Reference is the project taken up for creation of online resource for details on the Achhop (Rare) ragas and Raga Prakars (types) of Hindustani Classical Music. The requirement for such a portal was felt long back.  Information that is available on this subject in the public domain is extremely rare.  As the very first step of the project, here is the consolidation of all the ragas to be discussed in this forum. The authentic ragas are included in the list as of now. Any suggestions on amendment / exclusion / change in classification - are welcome. Raga Reference Website:   http://ramprapanna.blogspot.co.uk/search/label/Raga%20Reference Email:  ramprapanna.sitar@gmail.com ------------------------------------------------------------------ ----- List of common Ragas: Abhogi
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Different Sitar Gharanas

All the Gharanas are mentioned except Etawah Gharana and Maihar Gharana - which are treated as the most prominent Sitar Gharanas today. There are several articles available on Internet on these two Gharanas and Maestros. Jaipur Sitar Gharana Bahadur Sen, son of legendary Masit Khan used to stay in Jaipur and continued to play Sitar. They used to use title ‘Sen’ after their names as they claimed themselves to be descendants of Miyan Taan Sen, i.e. member of Senia Gharana. Masit Khan’s nephew, Dulha Khan was n extraordinary Sitarist of his time. Rahim Sen,  son of Sukh Sen, the ‘mul-purush’ of Senia Gharana , married the daughter of Dulha Khan. Rahim Sen got talim from both, father Sukh Sen and father-in-law Dulha Khan. Rahim Sen and his brother Hussain Khan were very popular Sitarists of their time. Amrit Sen(1813-1893), son of Rahim Sen was a Sitarist of very high caliber. He was patroned by Ram Singh Maharaja. Amrit Sen tried to imitate ‘Karak-Bijli’ taan of Gowalior exponents
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