My Music Diary

  🎶 Sitar Performance Format (Beginner Understanding) Ālāp Slow, free exploration of the rāga without rhythm, introducing its mood, notes, and personality. Jor Introduction of a steady pulse while developing the rāga further, still without tabla. Jhala Fast, energetic rhythmic playing using chikari strings, creating excitement before composition. Vilambit Gat A slow composition played with tabla, focusing on rāga depth, melody, and layakari. Madhya Gat A medium-tempo composition where rhythm becomes clearer and musical phrases are more structured. Drut Gat A fast composition showcasing speed, clarity, and rhythmic control with energetic tabla interaction. Dhun / Thumri (Light Piece) A lighter, expressive ending that highlights melody, emotion, and audience connect. ========================================= 🎶 Spoken Teaching Script: Understanding a Sitar Performance “Before we start playing, it is very important to understand how a sitar performance is structured. ...

Ramprapanna Bhattacharya Brief Details for concert announcements: Shri Ramprapanna Bhattacharya, is one of India’s distinguished sitar and surbahar maestros and a leading exponent of his generation from the celebrated Etawah (Imdadkhani) Gharana. With over three and a half decades of dedicated pursuit of Indian classical music, he represents a rich lineage that traces through his father, Pandit Ram Udar Bhattacharya, and Pt. Kashinath Mukherjee & Pt Arvind Parikh - eminent disciples of the legendary Ustad Vilayat Khan. Shri Bhattacharya has performed at some of India’s most prestigious music festivals and institutions, including the Dover Lane Music Conference, Sankat Mochan Sangeet Samaroha, Sangeet Natak Akademi, NCPA Mumbai, and Rasika Ranjani Sabha, Chennai. He has also been featured as a speaker-performer at the globally renowned TEDx platform, sharing the beauty and relevance of Indian classical music with international audiences. His artistry has earned him numerous honors...

  🌟 Essential Sitar Terminologies for Beginners For detailed instructions please refer Ramprapanna Bhattacharya's YouTube Playlist: Sitar Learning Essentials:  Sitar Learning Essentials by Ramprapanna Bhattacharya - YouTube 🎶 1. Bol (बोल) Syllables or plucking patterns played with mizrab on the strings such as Da, Ra, Dir, Dara, Der , etc. They define rhythmic and melodic articulation. 🎶 2. Sapat / Sapat Taans (सपाट) Straight, linear movement of notes in ascending or descending order. Usually even-paced, clean runs. 🎶 3. Palta (पलटा) A structured pattern or exercise based on a specific sequence of notes, often repeated with variations to build technique. 🎶 4. Meend (मींड) A glide or smooth slide between notes using left-hand pull. One of the signature ornaments of sitar. 🎶 5. Gamak (गमक) A strong, oscillating, forceful shake of notes. It adds intensity and weight to musical phrases. 🎶 6. Jhala (झाला) Fast rhythmic playing using Chikari strokes (mainly on...

Essential Parts of the Sitar (Beginner-Friendly) 1. Tumba (तुम्बा) The large resonating gourd at the bottom that amplifies sound. 2. Tabli (ताबली) The soundboard (front wooden plate) where the bridge sits. 3. Jawāri / Jawāri Bridge (जावरी) The main bridge that gives the sitar its buzzing tone. 4. Chota Jawāri (छोटा जावरी) The small bridge for sympathetic strings. 5. Baj Tāar (बज तार) The main playing string (usually the 1st string). 6. Chikari Strings (चिकारी) The rhythmic drone strings used for jhala and keeping laya. 7. Taraf / Tarafdar (तरफ़ / तरफ़दार) The sympathetic strings underneath the frets, which resonate automatically to enrich the sound. 8. Parda (पर्दा) The movable metal frets used to produce different notes. 9. Daand / Dand (डांड) The long wooden neck of the sitar where frets and strings run. 10. Gulu (गुलु) The curve/joint connecting the neck to the tumba . 11. Kunti / Pegs (कुँटी) The tuning pegs used to tune the main ...

  বোমার শব্দ রক্ত ধারা নির্মমতা পাগলপারা, পুড়ছে শহর পুড়ছে বাড়ি চলছে বেদম দখলদারি, কাঁদছে শিশু মরছে লোক দা/ঙ্গাবাজের বুধধি হোক | ধর্ম দেখে পৃথক করে মাথায় গুলি রক্ত ঝরে , আত/ঙ্কিত স্তব্ধ দেশ নিন্দা করে দেশ বিদেশ, কি পাবি তুই মানুষ মেরে যুদ্ধে জিতে যুদ্ধে হেরে | কিসের ঈর্ষা কিসের দম্ভ কিসের তোদের লম্ফো ঝম্প , জীবন শেষে গোরস্থান হয় কফিন নয় শ্মশান , ধোঁয়ায় ধুলায় মিলিয়ে যাবি যুদ্ধ করে আর কি পাবি ? © রাম প্রপন্ন ভট্টাচার্য ২২ জুন ২০২৫

 Sitar Tuning Guide (Upper Strings) - Ramprapanna Bhattacharya Taraf / Sympathetic Tuning Guide

Sitar Performance By Ramprapanna Bhattacharya Tabla: Nilanjan Ghosh Venue: CLT Aban Mahal Gariahat Rd, Kankulia, Gariahat, Kolkata, West Bengal 700029 Location: https://maps.app.goo.gl/LuvyTZg3UBgCvvGu8